The unwatchable journey

In the nearly five years I've been writing for this blog, we've had a number of running targets - Raisin Bran Crunch (in order: here, here, here, here, and here), Burger King (too many to list them all, as we've written fully fourteen Burger King posts, but here are three of my favorites), Crispin Porter + Bogusky in general (this Quivering P. Landmass post is my personal favorite), and so forth. But I don't think I've ever been moved to write about the same ad campaign three times in eight days. Congratulations, State Farm!



Agent: "One of the best things about State Farm is our accessibility."
Guy: "Oh yeah?"
Agent: "You can call us 24/7, get quotes online, start a claim with our smartphone app - you name it, we're here, any time, anywhere, any way you want it."

"Any way you want it?" Gee, that's an awfully uncommon turn of phrase to bust out there. It's almost like you're setting something up.

Guy: "That's the way I need it."
Agent: "Any way you want it."
Guy: "All night?"
Agent: "All night."
Guy: "Every night?"
Agent: "Any way you want it."
Guy: "That's the way I need it."

This is already pretty stupid. But you know what would be way stupider? Addressing what just happened as though it were somehow a natural part of the conversation, or in any way not just some bullshit thrown together because someone inexplicably thought it would make for an amusing ad.

Guy: "We just had ourselves a little Journey moment there."

Oh, writers of this ad. What were you thinking? You guys are as cold as ice. You're willing to sacrifice our love! Hmm, bit of a Foreigner moment there. Rest assured that was completely organic, just a natural extension of what I was already writing. Because I'm hot blooded. Check it and see!

Agent: "Yup."
Guy: "Saw 'em in '83 in Fresno. Place was crawling with chicks."
[Guy's wife looks over angrily]
Guy: "I gotta go."

Just in case you thought we'd get out of one of these ads without some sort of relationship issue: nope. State Farm is getting really good at sowing marital discord, aren't they? I picture this agent meeting up with Jake at some all-night diner and chuckling about all the relationships they've ruined through their jobs in the insurance industry.

And then they end the ad by playing the actual Journey version of "Any Way You Want It." Here's the thing: if the song is famous enough to be used the way it's used in this ad, then it should also be famous enough that you don't need to ram down our throats that you're using it. Playing the song at the end of the ad would have worked perfectly for your purposes. Doing the stupid song-lyrics banter, then being like "HEY THAT WAS JOURNEY DID EVERYONE CATCH THAT THAT WAS JOURNEY," and then also playing Journey at the end of the ad... at that point I really just feel like you're insulting my intelligence...

...faithfully. (Nailed it! Totally natural!)

Like a grim reaper, State Farm is there

This commercial is really weird, right? It's not just me?



Wife: "My husband Hank was always fun. Never took life too seriously."

Sad piano. Use of the past tense.

Wife: "Till our son was born. That day he bought life insurance."

Mention of life insurance. Serious-looking woman.

Wife: "Now there's no way I could send our boy to college without it."

Mention of using life insurance. Use of the first-person singular pronoun.

Wife: "If there's one thing I could say to Hank, it'd be 'Thank you.'"

Implication that speaking to Hank would be impossible, because he is dead.

Hank: "You're welcome."
Wife: "Hey, Hank."

Oh, she just sounds like she wishes he was dead. So really, while all that other stuff seems like nothing more than cheap misdirection in hindsight, don't you kind of get the feeling that this woman secretly fantasizes about her husband dying?

Announcer: "Life insurance you can use while you're still living."

Um... really? Well, let's check out the State Farm website.

Permanent life insurance policies offer financial protection in the event of your death. But did you know that they can also help you build cash value you can use in your lifetime? In fact, the cash value you build can grow into a sizeable asset that you can access by loans and withdrawals.

I don't claim to be the most financially savvy person. And perhaps someone more learned on this topic will feel free to educate me in the comments. But something about this sounds really problematic. I get that it makes sense to allow people to have early access to a potential life insurance payout lest they reach a point where they're too old to use much of it or the whole family dies in the same plane crash or something. But then, isn't that really how insurance works? You pay a fairly small premium compared to the potential payout, and the insurance company is effectively gambling that you won't ever get to collect the big money. There must be another shoe dropping here.

Unpaid loans and withdrawals will reduce the death benefit and policy cash value. Loans also accrue interest.

There it is. So look, I'm sure it was nice to have that money to send your son to college, but when Hank actually DOES die, you're pretty much screwed, lady.

Hank: "You are one lucky lady!"
Wife: [now actively thinking about killing him herself] "Mmmm-hmmmm."

I get the joke they were obviously going for, but this commercial is super morbid. And the message and tone are really undercut by the fact that the wife clearly cannot STAND her husband! (Oh, State Farm made an ad in which spouses weren't thrilled with each other? You don't say.) The whole thing is just awkward, and frankly kind of creepy.

Can't buy me peanut butter

Jif! Boy, you can't get that anywhere, can you?



I mean, that's the message I'm getting from this commercial. Jif, beloved regional product, and certainly not major national brand. Right?

[Phone rings]
Mom: "Hey, college girl!"
Girl: "Hey, Mom! I just got your package!"
Mom: "Great!"
Girl: "Yeah. Mom, you're the best!"

And the girl reaches into the box and immediately grabs, not the picture of her with her beloved dog, not whatever mix CD that is (and what do college kids love more than mix CDs put together by their mothers?), but the jar of Jif peanut butter that her mom thoughtfully sent, because, of course, this girl has decided to attend college in Bangalore, India, where they do not sell Jif peanut butter.

Mom: "I thought you would like it."

Is she supposed to somehow know inherently that the daughter is talking about the Jif? Telepathic moms choose Jif.

Mom: "So how are your classes?"
Announcer: "It's more than just that great peanut taste. Choosing Jif is a simple way to show someone how much you care."

Whoa, whoa, WHOA, there, Jif. Settle the fuck down. I like peanut butter and all, but throwing an inexpensive jar of peanut butter (that the girl could easily have purchased herself at like a hundred locations within a mile of her dorm) into a care package is like the definition of "minimal effort." I guess they do admit it's "simple," but I don't think that's nearly pejorative enough. How about, "Choosing Jif is a lazy way to show someone how much you care?" Or better yet, "Choosing Jif is an ineffective way of showing someone how much you care, because seriously, who gives a shit?"

Also, man does that girl dig into that peanut butter quickly. Hello, freshman fifteen!

Mom: "We can't wait to get you home!"

"Back to Lexington, Kentucky, home of the immense Jif production plant!"

Girl: "I love you, Mom!"
Mom: "I love you too! We'll see you soon."

How soon is this girl coming home? If she's going to be back home in like two weeks, did you really need to rush out this care package? Clingy moms choose Jif.

Announcer: "Choosy moms choose Jif."

I know this has been Jif's slogan since forever. And it's one of the classic slogans that like everyone knows. That said, it's kind of dumb, right? CHOOSY moms choose Jif? What exactly is choosy about picking the most dominant peanut butter brand in the United States, which is mass-produced on a grand scale? I'm not saying this inherently precludes quality or that Jif isn't any good, but selecting it isn't really indicative of choosiness. Moms who buy whatever's at eye level choose Jif. That's a bit more realistic, I think.

Love is in the air, and it smells like pepperoni

In honor of Valentine's Day, get a load of this shit.



That is a screenshot of this page, which I took because since the listed end date for the promotion is 2/14/12, who knows how long it'll be up for your perusal.

I mean, holy shit, right? Look, I know this is probably just for publicity. Pizza Hut comes up with a gimmicky thing that no one would ever actually buy, it gets kicked around the web because people love that Neiman Marcus fantasy gift shit, and boom, free advertising for the $10 dinner box, which I did not previously know was a thing. But just imagine for a second that Pizza Hut was serious here. How fucking deranged is this?

First, I love that it's not a diamond ring, although if you're the kind of woman who INSISTS on an expensive diamond for your engagement ring, you're probably not going to be too impressed with the $10 dinner box proposal no matter how nice the ring is.

Then, how about a photographer AND a videographer? I'm not sure that's enough. How about a caricature artist too, and maybe a stenographer to get down every word you're saying? You really want to remember every facet of your embarrassing Pizza Hut proposal.

I also love that the stated cost is $10,010, because that includes the dinner box. Yeah, we couldn't just include that in the obscene $10,000 engagement package. That's extra. (The "plus tax" also kills me.) This is really the biggest tip-off that Pizza Hut is mostly kidding around, I think (although I'm sure if anyone actually wanted this they'd be happy to sell it). It's funnier if you take this extravagant package and make the cheap-ass food cost extra on top of it.

If you click on "more information" it gives you the press release, which only makes it clearer that this is a publicity stunt of the highest caliber. Most of the time is spent talking about the dinner box itself:

The $10 Dinner Box Proposal Package includes a ruby engagement ring, limo service, flowers, fireworks show, photographer, videographer and of course, most importantly, the mouth-watering new $10 Dinner Box.

Fitting all of these amazing items into one package echoes the feat pulled off inside the new Pizza Hut $10 Dinner Box, which includes a medium one-topping rectangular pan pizza, five breadsticks with marinara sauce and 10 cinnamon sticks with a sweet icing cup in one box for only $10.

Just by the way, that is like the starchiest thing that ever starched.

"If we’re able to fit pizza, breadsticks and dessert into one box for only $10, why stop there?" asked Kurt Kane, Pizza Hut CMO.

Right.

Perhaps my favorite part - and again, it's irrelevant because ain't nobody buying this - is in the fine print:

"We may substitute listed products with equivalent value products."

I wonder which of those products is most likely to be substituted for an item of equal value. If you're the sort of person who loves Pizza Hut so much you're willing to propose marriage over a pizza box, maybe you could trade in the fireworks show for a couple years' worth of Lipitor.

Low Voltage

The 2006 documentary Who Killed the Electric Car? is an exploration of the reasons why the initial attempt at production of electric cars in America failed. Various possible reasons were cited, including the desire of the oil companies to spike a competing fuel source, a lack of appeal to consumers, and fears on the part of the automakers that long-term revenues would drop because electric cars required comparatively little maintenance.

Well, between last fall's ad campaign for the Chevy Volt and the one they've started running recently, I think I have an idea for a sequel in case the electric car fails again: shitty advertising.



What?

[A bunch of aliens are examining the Chevy Volt in a guy's garage.]
Alien: "Chevy Volt!"
Guy: "Guys... this is the third time this week."
[Aliens look somewhat chastened]
Guy: "Okay, I'll say it again. It's electric..."
Alien: "Electric."
Guy: "But when I need to go farther, it uses gas."
Alien: "Gas."
Guy: "Please, tell me you understand..."

You know what, Chevy? Don't fucking flatter yourself. Do you think really think this idea is such a hard concept? Hey, it uses electric and gas! Congratulations, it's a fucking hybrid, except it reverses the typical order of fuel usage. EVERYONE GETS IT. It was bad enough in the initial ad where the premise was "idiots at the gas station will hassle you because they're confused, because this is just WAY too complicated for people to grasp." Now we're really out in the depths of the egos of Chevy's design team. "That's right, not even space aliens who have mastered the technology of interstellar travel understand how a car could possibly have two power sources!"

Here's how a Chevy Volt ad plays out in real life. Ready?

Guy: "Hey, I thought that was an electric car."
Volt owner: "Yeah, it mostly is, but it does use gas as a backup power source for longer trips."
Guy: "Oh, okay."

FIN, assholes. No one is confused by the Chevy Volt. And by pretending that everyone is, you're making yourselves look like supercilious dicks.

I'm not even going to talk about the ridiculous "punchline" to this ad, since it doesn't deserve comment. I will say, though, between the electric car and the aliens, was anyone else reminded of "We Do," the song sung by the Stonecutters in the classic Simpsons episode "Homer the Great," when they saw this ad? I'm just saying, if Steve Guttenberg pops up in the next Volt ad I'm gonna be really suspicious.

America's heart valves are always closed

One of our Twitter followers, @Telos09, brought the following ad to my attention a couple weeks ago. It's been a while since we've taken a "request," for lack of a better term, so let's get into it.



Painful.

Woman: "Uh, what's the Loaded Baked Potato Skillet like?"

Let me stop right here. Are there really people who go into Denny's and start asking the waitstaff to give opinions on what the food is like? This is the kind of thing you do at a real restaurant, where maybe you're not sure if the preparation is going to be what you want. Is a dish too spicy? How's the meat prepared? That kind of thing. At Denny's this is not an issue. What's the Loaded Baked Potato Skillet like? Uh, it's like we threw some potatoes and other shit into a pan and then cooked it for five minutes.

Waitress: "It's like, uh..." [makes sizzle sounds]
Kid in nearby booth: "No, it's more like:" [makes sizzle sounds]
Douchebag at a nearby table: "If you have prime rib, it's like:" [makes sizzle sounds]

Okay, everyone just shut the fuck up. And I know Denny's is just trying to work all the skillets into this ad, but prime rib? Who the fuck asked you about prime rib, dude? We're talking about the Loaded Baked Potato Skillet at the moment. Fuck off.

Old lady: "The Western Skillet's like:" [makes sizzle sounds]

NO ONE CARES.

The ad then cuts between all the people doing their stupid sounds in a way that reminded me immediately of the original Budweiser "Wassup" commercial from, God, what, a decade ago? On the one hand, probably just a coincidence. On the other hand, my mind went there IMMEDIATELY. I don't know. Whatever.

Woman: "Oh, that sounds good, I'll have one of those, please!"

I get the joke. It's not funny.

Guy: "I'll get the:" [makes sizzle sounds]

Die.

We then see the actual skillets, and man do they just look gross. They don't quite reach Famous Bowl levels, but they really do just look like a bunch of shit tossed into a pan. Yeah, just throw all that shit in there, and then drizzle some other shit on top of it. I am not getting hungry.

The Return of Apple Envy

Everybody wants to be Apple. Of course that's been the case for many years. And even though, in this spot, Amazon tries to brush off Apple like some failed, late 90's dot-com, I think they secretly have a little Apple envy in their system:

Man: Hey excuse me -- that's the new Kindle, isn't it, $79.

Woman: Best way to read, even in sunlight.

Great work, stop it right here. The commercial should be over at the 10 second mark. The Kindle is an awesome eReader. It does this one thing better than any other machine. Amazon differentiated itself, made its point clearly, and now they can call it a day.

Or, they can ruin the commercial....

Man: Yeah but I mean if you want to watch movies or surf the web.

Woman: I've got a Kindle Fire for that (looks a hundred feet away to a different Amazon tablet product being used by her children.)

"PUNT!" This has got to be one of the few examples in advertising where a company just throws its hands in the air, curses the heavens and says, "We give up." To have your only rebuttal be "No, but we make something else that does that" is just sad.

No one is going to carry around two devices. "This one's for readin', and this one's for videoin'." The woman's response should be that the regular Kindle isn't trying to be all things to all people -- it does one thing (displays text), and it does it well. It's for readers. End of story.

Man: Three Kindles. That's gotta be expensive.

Woman: Not really. Together, they're still less than that (points to Man's iPad.)

Yeah, fine, the iPad 2, at $499, is expensive. It's also far and away the top tablet on the market. But I can find a 16GB iPad for less than the $477 combined price of those three Amazon products. And I know this is a store return, but I still find it funny that the first one I found was on Amazon.

Man: Someone sitting here?

Woman: My husband.

Man: Yeah...

And a weird, anticlimactic ending to boot. Was there really enough sexual tension between these two that the audience had to see how the interaction ultimately ended? And judging by the man's resignation, he appears to be jealous of the unseen man's wife simply because this family owns three Kindles. So peculiar.

Amazon, this is not the way to go after Apple. You make fine, lower-cost products, and there's a market for that. But you don't make iPads -- and expecting people to haul around two tablet devices instead of buying an iPad is laughably dumb. So stick with your strategy -- and don't bring up Apple unless you actually have a claim to make.

Get to a better kitchen

I've talked before, on several occasions, about the perils of having unlikable people pitching your products. Recently, in particular, it seems to be obnoxious couples. People who I would leave a party early just to avoid. Right, Sears? Right, Toyota? Yeah. Well, don't worry, you guys aren't alone. Here comes State Farm to join the party!



Again... why would I want to be like these people? At least the obnoxious assholes in the Sears and Toyota ads appeared mostly to get along with each other.

[Wife is singing karaoke to TLC's "Waterfalls"]
Husband: "Oh, look! Mommy spent your diaper money on a karaoke disaster!"

Instantly I hate everyone involved with this ad. What is the insistence on depicting relationships where people spend most of their time bickering? Also, fuck this guy and his supremely hipster mustache.

Husband: "I thought you were getting renter's insurance."

"And because I am an asshole, my immediate assumption based on this scenario not perfectly matching the one I expected was that you did something incredibly stupid, and then I yelled at you about it, despite having no actual information. This is what marriage is like."

Wife: "Done. I got our stuff covered for like four bucks a month."
Husband: "Four bucks, huh? Like a good neighbor, State Farm is there."
[Agent appears]
Husband: "Hey, Clyde, why is my wife lying about our insurance?"

You are SUCH an asshole. Man, I can't wait until this guy gets his comeuppance.

Clyde: "When you have State Farm car insurance, you can add renter's for about four more bucks a month."
Wife: "Like a good neighbor, State Farm is there - with an apology!"
Clyde: "It doesn't work like that, Julie."
Husband: "Boom."

Look, what the fuck? First of all, since WHEN does it not work like that? This is literally the first time in all of these stupid spots that someone has not gotten what they asked for, and that included having "the girl from 4E" suddenly appear in your apartment for sex. Second of all, why, exactly, is the wife made to look stupid here when the husband is an asshole throughout the ad and then CONTINUES to be an asshole despite being completely wrong? Like a good neighbor, State Farm is there with divorce papers.

This isn't the only State Farm ad currently running that I have this sort of problem with, either.



[Husband is on the phone in a darkened living room]
Husband: "Yeah, I'm married - does it matter? You'd do that for me? Really? Yeah, I'd like that!"

See, it's funny, because it sounds like he's talking to a phone sex operator! Or whatever. State Farm, I don't think you understand that you cannot have this be the opening joke and then ALSO go where you go with this.

Wife: "Who are you talking to?"
Husband: "Uh, it's Jake, from State Farm. Sounds like a really good deal."
Wife: "Jake from State Farm, at three in the morning? Who is this?"
Husband: "It's Jake, from State Farm."
Wife: "What are you wearing, 'Jake from State Farm?'"
Jake: "Uh... khakis?"
Wife: "She sounds hideous!"
Husband: "Well, she's a guy, so."

Here's why I hate this ad: why is the wife being made to look like a total psycho? It's actually a bit different from the last ad. In that one, the woman is right but is refused the credit she deserves. In this one, the woman is wrong - but the problem is that the ad casts her as not just wrong (since it sets up a scenario where you'd expect her to misjudge) but completely over the top in her wrongness. In the first ad, the husband is over the top in his wrongness, but he is allowed the last laugh without ever having to admit he was wrong. In the second ad, the husband again gets the last laugh, and he doesn't ever have to admit that, let's face it, talking to State Farm about your policy at three in the morning is maybe a little weird and suspicious.

Even in other ads that don't come down so heavily on the side of the man (and unaccountably so at that), State Farm seems to relish depicting conflict between the sexes, be it a wife demanding to know how her husband came by a falcon (do note that every single person in that ad shown with an extravagant purchase is a man, which is sort of sexist against both men and women at the same time, an impressive feat) or a couple fighting at the scene of an accident and using the "power" of State Farm to change each other into different people. (Again in that second one the woman clearly comes off worse. And again, the jingle can turn your girlfriend into a statuesque model in tight clothing but it CAN'T GET YOUR HUSBAND TO APOLOGIZE TO YOU FOR BEING AN ASSHOLE?)

Maybe there's some study I'm unaware of which shows that couples who fight all the time (and thus are most likely to recognize themselves in these ads) buy more insurance than couples who don't. But I kind of have a hard time believing that. If anything, insurance (given its necessity in the modern world) is one thing that there's no reason for couples to fight over. So what does State Farm do? Introduce all kinds of other conflict in its insurance ads. Because you know what's funny: a nice awkward bit of bickering between a couple you don't know, right in front of you. Sorry, did I say funny? I meant excruciating. Like a good clicker, my remote control is there - with a new channel whenever these stupid things come on.

Out-of-ideas men

If you're anything like us, you probably watched the Super Bowl this year trying to figure out which of the awful ads were the responsibility of our favorite whipping boys, Crispin Porter + Bogusky. Amazingly, according to the Ad Age listing of the game's ads, the only CP+B offering on the entire broadcast was the Best Buy ad with all the designers. It was a fairly bland ad (though the Alec Baldwin joke drew my only chuckle of the entire broadcast) and it ends awkwardly, but it certainly was the opposite of what we usually associate CP+B with - nonsensical high-concept premises and over-the-top editorializing of the company's products.

This latest Domino's ad, while perhaps not as grating as much of the CP+B fare previously discussed on this blog, settles squarely in the latter camp.



That's right: Domino's is PROUD to have come up with this product.

Domino's CEO Patrick Doyle: "At a big company, new ideas don't usually come from the local store level."

I just want to interrupt for a second here. Do you not totally hate this camerawork? The obsession with handheld is one thing if you're shooting some movie that you want to look like cinéma vérité, but this is a Domino's commercial. I don't need the little zoom on Patrick Doyle's face while he's talking to me (by which I mean someone JUST to the left of the cameraman), thanks.

Doyle: "But a great idea can come from anywhere."

And so can this one!

Brian Edler: "I'm Brian Edler, and I created the new Domino's Parmesan Bread Bites. They're freshly baked pieces of bread with garlic and parmesan."

So... they're breadsticks. Only you chopped them up. Is there any way that the idea didn't come to Brian in something like this fashion: "Hmm... we've got all these bits of dough left at the end of the pizza and breadstick-making processes. We could just throw them away, but that's wasteful. We could refine our process so we don't end up with these extra bits... nah. I know! We'll toss them in the oven, then coat them with oil and cheese when they come out, and call that another side dish! Someone get corporate on the phone, because I am a FUCKING GENIUS."

Bob: "The test kitchens at Domino's haven't come up with this, but the guy in Findlay, Ohio did. That's what's awesome about this."

Is anything awesome about this? I guess it's nice that Domino's is willing to solicit new ideas from the local store level, but who wouldn't do that if it were a sufficiently good idea? It doesn't seem like this really puts Domino's on the absolute vanguard. Especially since this product is fucking stupid.

Lauryn: "You know, I think Brian should be the CEO of Domino's."
Doyle: [laughs for a couple seconds] "...no."

Really nice of them to flatter this guy for his brilliant idea, then take a total shit on him at the end. I mean, obviously there's no way he should be the CEO of Domino's, least of all just for coming up with this shitty product, but was this part really necessary?

Announcer: "Get 16 Parmesan Bread Bites for just a dollar..."

I love how they're asking you to buy what is effectively scraps and acting like it's such a deal that they're only charging a dollar.

Announcer: "Share your ideas at ThinkOven.com."

Whoa. WHOA. Are you serious, Domino's? This is what you're doing now? You're actively going to ask members of the public to just hand over ideas for you to steal? This is ridiculous.

And yes, they are EXTREMELY serious:



I feel really bad for the intern who has to comb through the "Idea Box" submissions looking for the one or two that are even remotely usable. But this whole concept is a joke. I don't know what the "reward" they're handing out for ideas is, but somehow I get the feeling that it's a lot less than what a really good idea might make Domino's in profits, and probably a lot less than what it costs to pay the salary of an R&D guy. This is the most brazen attempt to get the consumer to do a company's job for them since AT+T thought people might be willing to pay for a t-shirt with a stupid mashed-up place name on it, you know, like those retarded commercials they used to have. (Can you imagine being the person who actually bought one of those and now having to explain it to people every time you wear it? I really hope no one was that stupid.)

Asking people what they like and don't like about your company and its products is one thing. That's obviously the way Domino's decided their old pizza was crap and changed the recipe, and then made a whole series of ads making a big deal about how they did that. But saying, "You know, we're kind of out of ideas over here at Domino's... do you think you could maybe... tell us what we should do? Please?" That's really just kind of sad.

Repulsion comes standard

How about another supplemental award? This one we'll call The Creepiest, Most Off-Putting CGI Award. And the winner is... Cars.com!



This ad is supposed to be funny and/or appealing.

Salesman: "Have you decided which vehicle you want to go with today?"
[horrifying CGI monstrosity version of the customer emerges from his back; music plays]
CGI horror: [singing] "Hey baby, I want that car / Hey baby, I really want that car / Let's get that car..."
Customer: "Yeah, that's my confidence, it's been coming out of me ever since I went on Cars.com."

I can think of many, many ways to depict someone as being confident. Cars.com has used at least a couple of them in earlier ads. This is... not one of the ones I would have picked.

Customer: "I compared gas mileage using their side-by-side comparison tool, and uh, this one would be great."
CGI horror: "Hoo! Yeah baby, let's get those keys and go!"
Salesman: "I'll get the keys."
CGI horror: "Woo!"

Quivering and I were talking about this earlier, actually. Why is it that so many ads try to be funny and so few of them are? We came to the conclusion that most people who are funny enough to write successful jokes for a national ad campaign probably have better things to do with their joke-writing talent than write commercials. There's a reason why Will Ferrell's Old Milwaukee spots have captured attention, and it has a lot to do with the fact that Will Ferrell is way too talented of a comedian to be doing spots for Old Milwaukee.

This ad thinks it is funny. There's no disputing that. But the only thing in the ad that is supposed to be funny is the horrible "confidence" singing. And it's not. I know that humor for most people follows the old Potter Stewart line about pornography - "I know it when I see it" - and so maybe it's futile for me to ask people who think this is funny (and, amazingly, they are out there) why they think it's funny. But I can't for the life of me figure out why this is funny or how it even is supposed to be. It's a creepy bit of CGI singing in falsetto that it wants a car. Who fucking cares? That's really what passes for a joke here?

Here's Ad Age's take on the spot, which they rated as one of the best of the Super Bowl - for real:

The first response to this commercial, in which a second head is singing that he wants this particular car, will be this: WTF? The second will be, "Wait, let's watch that again." Ultimately, this polarizing ad will push viewers into "love it" or "hate it" land with no room in between. The spot is made by the facial expressions of the main head and the singing of the second head—and that song, which will become this year's "Give me back that Filet of Fish." Me? I'm loving it.

Well, he nailed my initial response. And he was right that this is likely to be a love it or hate it ad, though it's still not clear to me why anyone would love it. But watch it again? I could barely stomach watching it a second time to transcribe it for this post. As for the song becoming this year's "Give me back that Filet of Fish" - apparently that's supposed to be a compliment? That singing fish ad made me want to stick my head in an oven. I guess there's no accounting for taste.

This commercial isn't even sure what it's saying, because it's too busy falling all over itself trying to force a terrible joke. So if you go to Cars.com you'll become confident! And that's a good thing! Except that the "facial expressions of the main head," by which "the spot is made," give every indication of being embarrassed by, and somewhat exasperated with, the "confident" singing head. I'm expected to think the creepy second head is a good thing? I don't.

A lot of ads have this problem. They want to make what they hope will be a funny joke, but then apparently they decide to hedge their bets by having the characters in the ad seem weirded out by, or somehow upset with, the source of the joke. IT DOES NOT WORK THAT WAY. If you're going to do this shit, you have to sell it. If you want an ad where a guy feels more confident after going on Cars.com and using their comparison tool - great! Do that. If you want an ad where you just do some wacky shit, fine, I guess. Jamming them together is super pointless. Especially when all the comparison tool told the guy is which car gets better gas mileage, which last time I checked is usually one of the first pieces of information stamped on any showroom car anywhere. All we end up with here is an ad where the guy is really confident for no good reason but seems to feel ashamed of that fact. This was supposed to make sense? This was supposed to sell me on Cars.com? It's a lousy pitch even if this spot didn't feature creepy-ass CGI and a "song" that makes me want to stick knitting needles in my ears.

Last year's Cars.com ad, for those of you lucky enough not to remember it, was four "jokes" in thirty seconds. This year's ad is one joke, and it's even less funny than any of those four, all of which were awful. Give Cars.com some credit: they're getting more efficient at making bad jokes.